Tree Hugger

 With the possibility of a solo exhibition and how the fill a gallery space, I've been thinking about themes. It seems that 'Everything is Plastic' is looming as a distinct possibility. So far, there's 'Water', then I'll do something to do with home, but I'm focusing on having another large piece and I think it should be trees.

Trees...I do love trees. There's something older and wiser about trees, a solidity. 

I've a small collection of books about trees, either with the emphasis on the native trees of Australia or a growing wisdom around the connectedness and intelligence of trees.

'The Hidden Life of Trees' by Peter Wohlleben. 

'The Life & Love of Trees' by Lewis Blackwell

'Wise Trees' by Diane Cook and Len Jenshel

'Eucalypts: a celebration' by John Wrigley and Murray Fagg

Old Growth: Australia's Remaining Ancient Forests' by Peter McConchie

Beautiful pictures of trees and their lives. Already I'm thinking about the possibilities. 

Then you go down to the beach and photograph clouds!

A quick escape to Phillip Island. Weather kind enough to be able to walk along the beach and what drew my attention? the clouds, of course!

Holiday inspiration

We were priviliged to encounter some amazing wildlife in Hawaii, the most amazing, green turtles, blue nose and spinner dolphins, all sorts of coral reef fish, have to reside in our memories alone, no photos were taken. There were, however, these wonderful cardinals, gorgeous and cheeky birds that were everywhere we went.

I discovered these were the northern cardinal and the other, equally cheeky birds we saw were Brazilian cardinals. Both are introduced to Hawaii, but they brightened up our days. I managed to find a couple of pictures of both birds on the net.

As nests are still a source of inspiration, I went looking for these birds nests and found reasonably traditiional looking nests. Full of all sorts of chunky materials and beautiful blue eggs.

 I've been trying to figure out another wall hanging and have wanted to use this yarn that I picked up a little while ago at the Handweavers and Spinners Guild textile bazaar. The red is amazing and now I have something red to work from. I think this is going to be suitable to weave in as short lengths with fuzzy ends.

I've done a bit of a yarn wrap to try and get an idea for the warp, and, I think this is just about right. Random warping with one side with a bit more red than the other with a strong bit of black.

These are the other colours I've used.

Tomorrow, I'll make a short 2m warp and do some sampling.

On the nature of inspiration

Artists are often asked about their source of inspiration, often, the response is to make a detailed, wordy and esoteric artists' statement or else something along the lines of  'the world around me' (a response I tend to favour!) Neither go to the heart of what can explain the source of an artists' inspiration.

I often think it's a collecting thing. We collect ideas, words, pictures, swatches, anything and everything. There's nothing so dangerous as an artist with scissors! But it's also drawing, writing, generally recording something that you like. As we collect they link. They link our personality, our current interest, the idea that's been sitting at the back of our mind.

We go look at other artists': friends we admire, great artists that appear at our galleries...don't forget Monet at the NGV....but it's not to copy them, it's to take on more information. Colour, technique, subject and what we dislike, all come together.....eventually.

As I'm coming to the end of my month of being an artist in residence at the Yarra Sculpture Gallery I've been thinking about the artists that might be called influences, except I don't quite think of them as influences, more as supports. Often the renowned artists give us permission to do the outrageous, because they are more so. They allow us to use materials or work in a way that is odd, because they do. So, to that I give you:

Fiona Hall, she's currently showing at the Heidi Museum of Art and is well worth seeing. She often works with textiles in a very political way. I've known about her and seen pictures of her work, but this is the first time I've seen it in the flesh! It is quite overwhelming and I must admit to not feeling very comfortable with the exhibition. This may be what she wants as there are some very strong messages. It's good to be challenged.

You can see why I like her work!

Another artist who always crops up is Andy Goldsworthy, Melbourne currently has two on Herring Island, where, during the summer you can catch a ferry onto this man made island in the middle of the Yarra in the heart of the city. There's also a gallery there!

His work is often ephemeral, allowing the work to disintegrate or change due to the forces of nature.

I've obviously picked out works that directly relate to my own current interest in the building of nests. I don't want to copy, just that other artists think nests are important too!

Experimental Spinning

I continued spinning my 'water' yarn and finished it in time for the 10x10 challenge at Experimental Spinning.

I filled a bobbin with 'water' and on another I finished off the top spinning finely, which I plied with the thick, then Navaho plied the remaining fine.

  

After all that I had these two skeins:

I am very pleased with the contrast between the two yarns and feel that I've managed to capture some of my original thoughts about the nature of water.

In search of further inspiration I went in search, through the magazine stash, of pictures of water and discovered, not surprisingly, that water displays itself in many forms. Here is some of my selection for your inspiration.

Isn't it amazing! The colours, the texture and the possibilities that might be revealed with further exploration. Hopefully, I'll manage to use these well in the creations for this year.