Holiday inspiration

We were priviliged to encounter some amazing wildlife in Hawaii, the most amazing, green turtles, blue nose and spinner dolphins, all sorts of coral reef fish, have to reside in our memories alone, no photos were taken. There were, however, these wonderful cardinals, gorgeous and cheeky birds that were everywhere we went.

I discovered these were the northern cardinal and the other, equally cheeky birds we saw were Brazilian cardinals. Both are introduced to Hawaii, but they brightened up our days. I managed to find a couple of pictures of both birds on the net.

As nests are still a source of inspiration, I went looking for these birds nests and found reasonably traditiional looking nests. Full of all sorts of chunky materials and beautiful blue eggs.

 I've been trying to figure out another wall hanging and have wanted to use this yarn that I picked up a little while ago at the Handweavers and Spinners Guild textile bazaar. The red is amazing and now I have something red to work from. I think this is going to be suitable to weave in as short lengths with fuzzy ends.

I've done a bit of a yarn wrap to try and get an idea for the warp, and, I think this is just about right. Random warping with one side with a bit more red than the other with a strong bit of black.

These are the other colours I've used.

Tomorrow, I'll make a short 2m warp and do some sampling.

Ideas that rattle

I've had this idea for a woven wall hanging rattling around in my head for ages, ever since I've been looking at birds nests, which must be nearly TWO years now. FINALLY, I managed to do a sample on my lovely 16-shaft loom.

It's perhaps not the best looking sample. I've never been very good at the good looking sample. I just need to see what happens when I try a few things and get sorted in my mind. Once I've done that I get bored pretty quickly with the sample.

However, they are worthwhile as the weaving in its' proper form in coming along nicely.

The weave is a honeycomb, which should collapse into nice little 'nests' when finished. I have no pattern and am just changing the elements as I go. I have two blocks of honeycomb and a block of tabby at each end. This allows me for all sorts of combinations of pattern.

I know the colour isn't quite right, but I hope you can see the subtle colour variations. There's going to be alot more happening, and I still haven't decided if it will need embellishing after I've finished weaving. Probably won't be able to until it's off the loom.

Isn't it wonderful having a studio that you have to work at. I'm hoping to finish it this week, in time for the opening!

On the nature of inspiration

Artists are often asked about their source of inspiration, often, the response is to make a detailed, wordy and esoteric artists' statement or else something along the lines of  'the world around me' (a response I tend to favour!) Neither go to the heart of what can explain the source of an artists' inspiration.

I often think it's a collecting thing. We collect ideas, words, pictures, swatches, anything and everything. There's nothing so dangerous as an artist with scissors! But it's also drawing, writing, generally recording something that you like. As we collect they link. They link our personality, our current interest, the idea that's been sitting at the back of our mind.

We go look at other artists': friends we admire, great artists that appear at our galleries...don't forget Monet at the NGV....but it's not to copy them, it's to take on more information. Colour, technique, subject and what we dislike, all come together.....eventually.

As I'm coming to the end of my month of being an artist in residence at the Yarra Sculpture Gallery I've been thinking about the artists that might be called influences, except I don't quite think of them as influences, more as supports. Often the renowned artists give us permission to do the outrageous, because they are more so. They allow us to use materials or work in a way that is odd, because they do. So, to that I give you:

Fiona Hall, she's currently showing at the Heidi Museum of Art and is well worth seeing. She often works with textiles in a very political way. I've known about her and seen pictures of her work, but this is the first time I've seen it in the flesh! It is quite overwhelming and I must admit to not feeling very comfortable with the exhibition. This may be what she wants as there are some very strong messages. It's good to be challenged.

You can see why I like her work!

Another artist who always crops up is Andy Goldsworthy, Melbourne currently has two on Herring Island, where, during the summer you can catch a ferry onto this man made island in the middle of the Yarra in the heart of the city. There's also a gallery there!

His work is often ephemeral, allowing the work to disintegrate or change due to the forces of nature.

I've obviously picked out works that directly relate to my own current interest in the building of nests. I don't want to copy, just that other artists think nests are important too!

The first day of work

I am intending to treat my month of Residency at the Yarra Sculpture Gallery as a full-time 'job', the first I've had in over 20 years! The family have been told, though already failing as no-one is taking ownership of the growing mountain of dishes! To that end, yesterday was my first big day! It did involve getting there late and a lunch with my husband, but nobodies perfect.


I did do some sampling. I have to try and work bigger than usual so brought in some big crochet hooks to work with and tried using the tape doubled.

I finally settled on which crochet hook felt and looked best. Unfortunately, not the biggest one, but big enough. I've already started on a rough circle for the bottom of my first 'nest'. It needs to be about the size I need to sit cross-legged on and is about the size of a seat....getting there.

I did my first drawing, it is tiny, but it is a nest! And I settled in a bit more.

'ACE" - 2012 Diploma of Visual Arts graduate exhibition

I've been 'slightly' distracted over the recent weeks with my graduate exhibition, finishing off work, displaying it properly for assessment, taking it down and mounting it for the exhibition and generally revelling in the relative 'freedom'! I have actually finished my Diploma of Visual Arts from the CAE (now part of Box Hill Tafe) and I've majored in sculpture.

Majoring in sculpture was always the plan and I'm glad my plans have not come unstuck! It's been a really valuable year and I'm pleased with the body of work that I've created, along with the ongoing ideas that it has generated. Mila Faranov inspired us, pushed us, encouraged us and all the good things and some of the bad, a good teacher should do.

I ended up completing four pieces of work and all are exhibited along with the 30 odd fellow graduating students, most of whom are painters with only a few of us either sculptors or printmakers. The exhibition is 'ACE' and it's still on at the SmartArtz gallery in South Melbourne. It's on till Saturday. I've been taking friends in and am really pleased with the response. (AND I've sold some of the works!)

The theme for my work is 'Abode', inspired by birds and thier amazing nest building skills and structures. I'm trying to explore ideas around making, building our homes, and recycling materials that are no longer useful.

The four works are:

Empty Nests: spun paper, copper wire, made into 'abodes' using a basketry technique, sitting on cross-sections of trees from our garden, kindly cut up by Tony at A.A.Timbers in Eltham.

High Rise: crocheted video tape (thanks Catherine), oh, and I DON'T need any more!and cellophane leftovers from Reverse Art Truck.

Palace: handknit nylon wire and a bit of brass wire, mounted on a perspex mirror with lights.

Prefab: nylon wire woven on a weave-it loom, these 'abodes' are then manipulated and woven with bits of thread. I am in awe of the next building skills of birds, after attempting these!

And now it's on to the future! I've applied to Craft Victoria for an exhibition based around these works and am waiting to hear the result of my application, expected in the next couple of weeks. There are so few places available, I'm keeping my fingers crossed. This will determine, one way of the other, what I do next year.